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About the Artist: Tania Godoroja Pearse

On Herself
I am a child of the
Americas, swimming now in the mainstream of the immigrant confusion in
Canada. Born in Rio de Janeiro of Russian parents. who in 1950
emigrated from northern china to Brazil, I moved at a young age to
Canada and, eventually, settled on the west coast where I live today.
I have been well nurtured by this incredible country, and I remain
passionately inspired by its rugged embrace. I am by nature and
practice a painter, and although I have achieved no singular artistic
greatness in life other than to be loved and to have loved, I have
painted all my life for the pleasure of it.
My career has been as a teacher, but my profession has been to immerse
myself in the immediate world of family, friends, and children and
imbue them with the revolutionary spirit that drives all great
art.
I have learned from those I love and admire that when we concentrate on
probabilities we are tempted to take what has happened as an
instruction for what should happen in the future. In other words,
we deny ourselves possibility. On the other hand, if we
understand the potential of a situation, what we may learn from the
past is not that we should continue to adhere to it and reinforce the
trend but, rather, that we should stand in the way of it and oppose to
it one of another kind of future based upon the potency of the human
spirit and imagination.
We all surround ourselves in life with like-minded characters, and we
forget how different other experiences are, how different the realities
that the people in our own communities face. All of us learn and
live in relationships with one another; much of our reality lies in how
these relationships take shape, evolve and fade. What excites me
about the future is being challenged to move beyond the bounds of
community in this experience, to engage with this phenomenon at a
global level.
What makes us who we are? Is it the things we inherit, the
hard-wiring of the mind and genes, or is it nature’s inspired
embrace? Or is it something more incomprehensible, an emergence
of complexity from primal beginnings? Language signifies that
much of who we are does not lie within us as individuals so much as
between us. Art elevates the significance of language to the
celebration of imagination itself, regardless of who we are. The
exploration of this celebration is my personal goal in working on the
Canadian Project for the World Wall.
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